Stage and screen stalwart Dale Soules, now back Off-Broadway starring in The Welkin at Atlantic Theater Company through June 30, has seen it all. Her career on stage and screen spans more than 50 years, which means she鈥檚 watched the theatre industry鈥攁nd the world鈥攇o through several transformations.
Perhaps most telling there is her anecdote from making her Broadway debut in the original run of the landmark rock musical Hair. She鈥檇 auditioned and been called back for the musical many times before she finally was cast. She鈥檇 come in and been rejected so many times that once she was in the show, she asked a stage manager what the deal was. 鈥淗e said, 鈥榃ell, we have a company astrologer,鈥欌€� Soules remembers. 鈥淚t turned out that my sign, which is Libra, didn鈥檛 line up for a period of time.鈥�
Soules says she shares this story with young actors a lot, because you truly never know why you鈥檙e being passed over for a part sometimes.
She grew up in Greenwood Lake, New Jersey鈥斺€淥nly 60 miles northwest of New York, but it could have been the moon,鈥� she says. 鈥淔rontier Days鈥� might be a better descriptor. Even in the 鈥�50s and 鈥�60s, the Soules family lacked running water, and had to carry water in pails from a brook that ran alongside the house.
But in a roundabout way, that hardscrabble upbringing ended up bringing her to the theatre. Soules says she was not well-liked at school. She didn鈥檛 have the 鈥渞ight鈥� clothes, and her home situation made people think she was dirty. And to make it worse, by her teenage years she realized she was also gay鈥攚hich was mostly thought of then as a mental illness. 鈥淚 imagined that meant I had to be alone for the rest of my life,鈥� Soules remembers.
鈥淚 was very depressed, and suicidal,鈥� Soules says. Ever expressive, Soules was getting a lot of those feelings out via poetry, which caught the eye of an influential teacher. He thought to introduce her to theatre, specifically Rodgers and Hammerstein鈥檚 Oklahoma!. After reading the script, he asked which character she liked best. Soules had a surprising answer: Aunt Eller. 鈥淪he was the peacemaker! If she hadn鈥檛 been there at the hoedown, everybody would have killed each other,鈥� she says. 鈥淚 guess I was a nascent dramaturg.鈥�
That led to a school production of the musical starring Soules in her favorite role鈥攁nd suddenly her schoolmates were changing their tune. 鈥淚 saw it turn mean spirited, unkind, prejudicial people into cooperative human beings,鈥� she remembers. 鈥淚t saved my life. It gave me hope that I could be accepted for who I was and what I had to say and how I treated other people. And not by what kind of clothes I had on or how much money I had.鈥�
Just a few years later, Soules was living in New York City. And she says that when she arrived. She could immediately tell it was where she needed to be. 鈥淚t was clear that there were places where [being gay] was alright, people with whom it was all right,鈥� she says. 鈥淚 wasn鈥檛 considered a pariah. There was the possibility of acceptance, and that made all the difference in the world.鈥�
Nowhere was that more apparent than when Soules found herself working as an electrician on a small Off-Broadway play in The Village, a production that would just so happen to become a landmark moment in the history of queer theatre: The Boys in the Band. Written by Mart Crowley about a group of gay men struggling in a homophobic world and the internalized homophobia it can create, the play was truly groundbreaking. When it opened in 1968, being openly gay was still illegal, even in New York City.
But Soules' place in queer history doesn鈥檛 stop there. While working on the production鈥檚 long run, Soules took an apartment near the theatre in the Village. And that鈥檚 how she happened to find herself outside the Stonewall Inn, a now-legendary gay bar, on June 28, 1969.
鈥淚 heard glass breaking and I saw cop cars,鈥� she remembers, 鈥渁 frightening commotion.鈥� She鈥檇 stumbled upon the first night of the Stonewall Riots. Cops had raided the place, a not-unusual occurrence for a gay bar in those days. But that night the patrons, mostly BIPOC drag queens and trans people, fought back. Before she knew it, Soules was being asked to stand with the protesters, who hoped police would be less likely to attack with a cisgender woman on the frontlines. Soules says she remembers at one point dancing in a Rockettes-style kick-line. This was, after all, queer activism, which is to say a delightful camp sensibility was in the air, arm in arm with the justified rage.
It was the beginning of what would become the modern gay rights movement, a fight that has made the world of 2024 very different from 1969 for queer people. 鈥淚 was and am very proud of having stood there,鈥� Soules says.
But even after success on Broadway, Netflix鈥檚 Orange is the New Black, and countless other projects, Soules says it still all goes back to that beloved teacher who saw an expressive but deeply sad student and decided to lend a hand. 鈥淭he best advice I have ever had to give to anyone is to know that whenever you are speaking to someone, you never know how important it is,鈥� she shares. 鈥淵ou may save a life and never realize that you have done it, just by being accepting.鈥�
