Festival Orchestra of Lincoln Center Will Play Music Old and New This Summer | 半岛体育

半岛体育

Classic Arts Features Festival Orchestra of Lincoln Center Will Play Music Old and New This Summer

Bach, Brahms, and Beethoven will be among the program in a series of concerts this summer.

Conductor Jonathan Heyward and the Festival Orchestra of Lincoln Center at David Geffen Hall last summer. Lawrence Sumulong

Now part of Lincoln Center鈥檚 Summer for the City, the Festival Orchestra of Lincoln Center comes to David Geffen Hall鈥檚 Wu Tsai Theater for an exciting season that comprises 7 programs of 13 concerts (July 20鈥�
August 10). Jonathon Heyward, in his inaugural year as the orchestra鈥檚 Ren茅e and Robert Belfer Music Director, is happy to continue the tradition of summer music making at Lincoln Center. 鈥淭his orchestra鈥檚 history is one I admire greatly, both from the perspective of its place in the hearts of so many New Yorkers who have found classical music through its summer performances and the incredible joy, care, and skill the musicians bring to the stage,鈥� he says.

Bringing together music familiar and unfamiliar, the orchestra鈥檚 programs feature beloved works by Bach, Brahms, and Beethoven alongside new works that include co-commissions and even a world premiere. Heyward explains, 鈥淚 believe strongly in respecting the traditions of classical music while reimagining the future, and this season embodies that."

First up is a July 20 preview concert that audience members will be able to curate themselves, choosing from a menu of works to be performed during the summer to create a 鈥渘ew鈥� symphony that Heyward will conduct. Titled Symphony of Choice, that concert will be followed by an opening night program pairing Beethoven鈥檚 blissful 鈥淧astoral鈥� Symphony with the North American premiere of City of Floating
Sounds, a meditative work by Chinese composer Huang Ruo that uses technology to allow the audience to hear segments of it before entering the hall to hear the full live performance (July 23 and 24).

For the Avery Fisher Legacy Concert in which Benjamin Beilman is the soloist in Brahms鈥� Violin Concerto, Kazem Abdullah also conducts Stravinsky鈥檚 Pulcinella as well as Quapaw-Cherokee composer Louis W. Ballard鈥檚 Incident at Wounded Knee (July 26 and 27).

Other 21st-century music to be heard this summer include Peter Lieberson鈥檚 2005 Neruda Songs, which will be sung by mezzo-soprano J鈥橬ai Bridges (July 30 and 31); Caroline Shaw鈥檚 2011 Entr鈥檃cte (August 6 and 7); and British-Guyanese composer Hannah Kendall鈥檚 He stretches out the north over the void and hangs the earth on nothing, which has its world premiere on the orchestra鈥檚 final program, led by Heyward (August 9 and 10).

The final concerts also demonstrate the healing power of music. Presented in partnership with a series of panels with the Jameel Arts and Health Lab in collaboration with the World Health Organization (WHO), the program is anchored by Symphony No. 2 by Robert Schumann, whose compositions helped him deal with mental health difficulties. Two works by J.S. Bach round out the final program, highlighting the role Bach鈥檚 music played during Schumann鈥檚 period of hospitalization, and an immersive AR installation by artist Sophie Kahn in the David Geffen Hall lobby explores further connections between Bach and Schumann.

This summer鈥檚 concerts also give the Festival Orchestra鈥檚 musicians their own moments in the spotlight. Principal oboist Ryan Roberts will be the soloist in Vaughan Williams鈥� Oboe Concerto (August 6 and 7), while concertmaster Ruggero Allifranchini and principal second violinist Laura Frautschi are the soloists in the Sinfonia concertante in G, No. 2, by Joseph Bologne鈥攁 composer born in the French colony of Guadeloupe who was a contemporary of Mozart鈥攊n a program led by guest conductor Jeannette Sorrell that includes other Mozart and Bologne works and features soprano Sonya Headlam (August 2 and 3).

Violinist Frautschi enjoys exploring less familiar repertoire. 鈥淚鈥檝e been very excited to see the Festival Orchestra embrace an expansion of the historically designated classical canon,鈥� she says.鈥淚鈥檓 looking forward to digging into Bologne鈥檚 Sinfonia concertante because it gives an opportunity to explore a different voice from a period historically dominated by Mozart. Pairing their works will be a fascinating way to contextualize these significant artists.鈥� Heyward looks forward to the music he and the orchestra members will perform this summer. 鈥淐ollaborating with them the past two summers has been thrilling and I know this summer will be even more so,鈥� he says. 鈥淚 am grateful to these phenomenal musicians and the audiences we鈥檙e looking forward to welcoming this summer.鈥�

 
Today鈥檚 Most Popular News:
 X

Blocking belongs
on the stage,
not on websites.

Our website is made possible by
displaying online advertisements to our visitors.

Please consider supporting us by
whitelisting playbill.com with your ad blocker.
Thank you!