Here's How to Get $45 Tickets to Branden Jacobs-Jenkins' Purpose on Broadway

Tony winner Branden Jacobs-Jenkins' Purpose begins its Broadway premiere run at the Helen Hayes Theater February 25, and the production has announced its digital and in-person rush policies.

A limited number of $45 tickets will be available via digital rush beginning at 9 AM ET the morning of each performance. Tickets are available on a first-come, first-served basis, and each user may purchase up to two tickets.

In-person rush tickets will also be available for $45 when the Hayes box office opens at 10 AM Tuesdays-Saturdays and 12 PM Sundays. Rush tickets are subject to availability and may be partial view, with a limit of two tickets per patron. Blackout dates may apply.

Opening night is set for March 17, with performances to continue through July 6. Tony winner Phylicia Rashad is directing, making her Broadway directorial debut. The Broadway bow is a transfer of a production that began at Chicago's Steppenwolf Theatre, the work's world premiere. Though playing the Hayes, Purpose is not a Second Stage production.

READ: Director Phylicia Rashad and Playwright Branden Jacobs-Jenkins on Family and Purpose

The ensemble cast includes 2024 Tony winner Kara Young (Purlie Victorious), new to the production's Broadway premiere, as Aziza Houston. Also new for this go-around is LaTanya Richardson Jackson as Claudine Jasper, together with Young joining returning cast members Harry Lennix as Solomon "Sonny" Jasper, Jon Michael Hill as Nazareth "Naz" Jasper, Glenn Davis as Solomon "Junior" Jasper, and Alana Arenas as Morgan Jasper. Understudies Petronia Paley, Esau Pritchett, Chris Myers, and Sojourner Brown round out the company. Casting is by Calleri Jensen Davis, with original casting by JC Clementz.

The work follows an Illinois family of civil rights leaders, pastors, and congressmen—pillars of Black American politics—with secrets lying just beneath the surface. The youngest son Nazareth returns home with an uninvited friend that ultimately forces the family to reckon with itself, their faith, and the legacies of Black radicalism.

Rashad is reprising her work at the production's helm after staging the Chicago world premiere, and has reassembled her creative team for the Broadway bow. Scenic design is by Todd Rosenthal, with costume design by Dede Ayite, lighting design by Amith Chandrashaker, and sound design by Rob Milburn and Michael Bodeen. Hair and wig design are by Tony honoree Nikiya Mathis, and Tiffany N. Robinson serves as production stage manager with general management by 321 Theatrical Management.

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