Jesus Christ Superstar鈥檚 Norm Lewis Was Almost an Ad Executive | 半岛体育

半岛体育

Seth Rudetsky Jesus Christ Superstar鈥檚 Norm Lewis Was Almost an Ad Executive This week in the life of Seth Rudetsky, Seth reveals how Forbidden Broadway became an Off-Broadway hit and how Norm Lewis became an actor.
Norm Lewis Courtesy of NBC

Shout out to Texas! I鈥檓 coming this Thursday with my SiriusXM dueling diva, Christine Pedi, to do a fundraiser for the downtown arts area. Come see me deconstruct and watch her brilliant impressions! (.)

Then on Saturday, I鈥檓 with the lovely Vanessa Williams in Scottsdale, Arizona! ()

And now, a study in contrasts: I spent all last week in sunny Los Angeles.

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James Wesley, Keala Settle, Seth Rudetsky in Los Angeles

Now, I鈥檓 in a full snowstorm in New York. Now, we live upstate and it鈥檚 a nachtmare to get anywhere when it snows. Hoping to get to NYC tonight to see Broadway Backwards, the big benefit put together by Bob Bartley for BC/EFA. It鈥檚 where men sing women鈥檚 songs and vice versa.

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Seth鈥檚 dogs Mandy, Bagel, and Mateo outside today

Speaking of which, I just came across this video of the late great Nora Mae Lyng in Forbidden Broadway with the song that put the Off-Broadway parody show on the map. If you don鈥檛 know the show鈥檚 history, Forbidden Broadway began at Paulson鈥檚, which is now called The Triad. The show was always hilarious, but it became a mega-hit because of a review that was printed as a sort of F.U.! This is the story I heard: The show opened in January 1982 and, due to it鈥檚 limited budget to get the word out, there weren鈥檛 many reviewers who showed up. Around a month before the opening, John Lennon was shot and killed. Dakota resident Rex Reed was interviewed and mentioned how scared all the residents of the Dakota were because it happened right in front of their building. He happened to mention Lauren Bacall as one of the residents. Well, Lauren Bacall then publicly said that celebrities in the Dakota were scared because people like Rex Reed were announcing who lived there! And thus a feud began. Forbidden Broadway was playing right down the block and word got to Rex that there was very dishy song about Lauren Bacall featured. The original lyrics to 鈥淥ne of the Boys鈥� from Woman Of The Year are:

I'm one of the gals who's one of the guys
So put up your dukes and I'll blacken your eyes
Behind all the Gucci and Pucci and pearls
I鈥檓 one of boys although I'm one of the girls

The parody was this:
I鈥檓 one of the girls who sings like a boy
My voice is as low as the tunes I destroy鈥�
And what is the secret not told to a fan?
I sing like a boy because I鈥檓 really a man!

Yes. The entire song states that the reason Lauren Bacall鈥檚 voice was so low was because she was actually a man. Rex Reed went to check it out, loved all the hilarious parodies and wound up giving the show a full page rave in the Daily News! Other reviewers then came to see the show and it became a huge, huge hit.

, which you should listen to so you can appreciate the parody.

Nora Mae Lyng recently passed away and I was an enormous fan. Here鈥檚 a deconstruction I did featuring her brilliance at the very end.

So, last night was Jesus Christ Superstar Live in Concert on NBC. So many amazing performances, but Norm Lewis was my absolute favorite. First of all, those low notes! Not since Lauren Bacall. Then the amazing vibrato on closed consonants with the handsomeness outlined by eyeliner. Perfection!

P.S. Norm almost didn鈥檛 pursue Broadway. In the 鈥�80s, he had a 鈥渞eal鈥� job working in advertising for a newspaper in Florida where he鈥檚 from. In his late 20s, he wound up winning a local talent contest. One of the judges offered him a gig singing on a cruise ship! What to do? He was on an advertising path and this would put everything on pause He told his boss that he had a chance to sing on a ship, but it meant leaving his job for a few months鈥�.maybe forever. She told him that he didn鈥檛 want to be an old man saying 鈥淐oulda Woulda Shoulda鈥� and that he should take it. He took her advice and, after the ship, decided to move to New York鈥攁nd then our paths crossed. I had just been hired for my first big regional music directing gig, Joseph and the Amazing Technicolor Dreamcoat at the Candlewood Playhouse in 1989. Norm came to the open non-Equity call. I was music director but also the audition pianist. I remember his audition very well because he plopped down his music for me to play and it was literally music from his high school chorus. And I mean literally! It was divided into soprano/alto/tenor/bass and he had highlighted the bass part. Of course, I busted him for not just having a solo version written out but I wound up being blown away by his voice and he was cast at the brother who sings 鈥淭hose Caanan Days鈥�!

doing the version of that very audition song he wound up putting on his album. It鈥檚 from his CD release show at Barnes and Noble and yet again I鈥檓 playing for him.

We鈥檝e worked together so many times since then so I thought I鈥檇 end with some amazing highlights from our times together:

Here I am deconstructing him singing from Once of this Island and Les Miz:

And here鈥檚 a deconstruction of his CD with his mind-boggling high notes:

And here鈥檚 some amazing footage of the sitzprobe we did for Broadway 101, featuring my 鈥渄ancing, 鈥� Andr茅a Burns, Julia Murney backed by a big, fat orchestra, and Norm鈥檚 final 鈥渉igh鈥漬ote. Enjoy and peace out!

 
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