Red Bucket Follies returned December 4 and 5 after a four-year hiatus due to the pandemic, and announced a fundraising total of $4,553,203 for Broadway Cares/Equity Fights AIDS.
The variety show, featuring songs, dances, and original skits created and performed by ensemble members and special guests, marks the official end of six weeks of Red Bucket fundraising that takes place twice a year. This year's show was held at Broadway's New Amsterdam Theatre.
The top overall fundraiser for the year was the Broadway revival of Merrily We Roll Along, which raised $631,932. The highest fundraising Broadway play was Purlie Victorious, which raised $87,781. The top Off-Broadway fundraiser was Little Shop of Horrors, raising of $52,727, and the highest fundraising national tour was the Munchkinland company of Wicked, which raised $202,894.
The award for best presentation went to the company of The Lion King, who presented a piece challenging toxic masculinity, with choreography by Ray Mercer and spoken word poetry by Daniel Watts. The runner-up was the company of Back to the Future: The Musical for an original number, which featured Broadway modes of transportation like Greased Lightning and Chitty Chitty Bang Bang auditioning for the role of the DeLorean.
hosted the return of Red Bucket Follies, which was directed by with serving as production stage manager. served as music director, with Charles Gordon as music coordinator. Lighting design was by Anthony Pearson, and sound design was by Marie Renee Foucher.
penned this year's opening number, which was directed and choreographed by Andrew Turtletaub and featured (Some Like It Hot), (Kimberly Akimbo), and (Back to the Future: The Musical).
The Follies also included performances by Thayne Jasperson and Hamilton company members; an original Christmas carol with a Filipino twist composed by Angelo Soriano and performed by Here Lies Love company members; a number, directed and choreographed by Jasperson, honoring the national touring shows that participated in the fall fundraising; and a performance of "Mexican Shuffle" from Sweet Gwen Suite shared by The Verdon Fosse Legacy.
Performers included Christine Pedi; Rachel Bay Jones; Lillias White with special guests Bobby Daye, J. Harrison Ghee, Ta'Nika Renee Gibson, Leslie Odom, Jr., Jelani Remy, and Kimber Elayne Sprawl; Sierra Boggess; Len Cariou; Marc Shaiman; Jenifer Lewis; Danny Burstein; Jessica Hecht; Andrea Martin; Tyler Eisenrich; and Sam Faulkner.
Presenters included Julie Benko, Sierra Boggess, Danny Kornfeld, Zal Owens, and Chip Zien (Harmony); Corbin Bleu (Little Shop of Horrors); Victoria Clark (Kimberly Akimbo); Lorna Courtney (& Juliet); and Jelani Remy (Back to the Future). Appearances were also made by Roger Bart (Back to the Future), Alex Brightman (The Shark is Broken, Spamalot), and Danny DeVito (I Need That).
This year's judges included producer and Museum of Broadway co-founder ; and (Moulin Rouge! The Musical); Charlotte d'Amboise and (Chicago); (I Need That) and and (& Juliet). Also on the panel were , Gary Wendlandt, and Peg Wendlandt, who won their judging spots by bidding on VIP packages at the 37th annual Broadway Flea Market & Grand Auction in September.
Since 1989, the 31 editions of Red Bucket Follies (formerly called Gypsy of the Year) and last fall鈥檚 in-theatre fundraising effort have raised $91.4 million to benefit Broadway Cares.
Broadway Cares is one of the nation鈥檚 leading industry-based, nonprofit AIDS fundraising and grant-making organizations. By drawing upon the talents, resources, and generosity of the American theatre community, since 1988 Broadway Cares has raised more than $300 million for essential services for people with HIV/AIDS and other critical illnesses across the United States.
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