A hallmark of George Balanchine鈥檚 The Nutcracker is its roster of 126 children, aged 7 to 13, in two alternating casts, who all study in the Children鈥檚 Division at the School of American Ballet (SAB), New York City Ballet鈥檚 official school. A small percentage of those students will eventually move up to the Advanced Division at SAB, and at the end of their studies, a few will be invited to join NYCB, achieving the total Nutcracker experience鈥攔eturning to Balanchine鈥檚 quintessential holiday ballet to perform as adults.
That storied third group includes former NYCB Principal Dancers Peter Boal, Jennie Somogyi, Gelsey Kirkland, and Judith Fugate, among others, as well as current corps de ballet members Shelby Mann, Mckenzie Bernardino Soares, and Rommie Tomasini, who each enrolled in SAB at the age of 6. Now coming back to the production as members of the corps de ballet, which they joined in 2022, they shared their fond memories of those formative years performing in George Balanchine鈥檚 The Nutcracker.
Shelby Mann鈥檚 earliest recollections of being in The Nutcracker are of playing jacks, a favored pre-show ritual for young cast members, and of her trailing hairpiece in the Party Scene. 鈥淢y memories of The Nutcracker are so heightened,鈥� she says. 鈥淓very time I smell hairspray, it鈥檚 like I鈥檓 back in the lower concourse of the theatre during The Nutcracker.鈥�
From her debut at age 7 in the Party Scene, Mann sprinted up the Nutcracker ladder, appearing as an Angel, a Polichinelle, a Mouse, and then, at the ripe age of 11, a Candy Cane. 鈥淲e would all look forward to The Nutcracker each year. It was what defined our childhood and our winter,鈥� she says.
Born into a dance-world family in Harlem鈥攈er grandfather Jacques d鈥橝mboise, grandmother Carolyn George, and uncle Christopher d鈥橝mboise all danced with NYCB, and her parents are acclaimed Broadway performers Charlotte d鈥橝mboise and Terrence Mann鈥擬ann discovered her passion for dance through the iconic holiday ballet. 鈥淚 loved that in rehearsals, because you were playing a character, you got to build your performance. Being in The Nutcracker made me realize that this is what I wanted to do.鈥�
Since joining NYCB, Mann has danced Dolls, Snow, Hot Chocolate, and Flowers, and her affection for Balanchine鈥檚 two-act masterpiece鈥攁nd the camaraderie that develops naturally among the cast, no matter what age鈥攔emains undiminished. 鈥淚 love how The Nutcracker connects to the holidays,鈥� she says. 鈥淲e all decorate our dressing rooms, have Secret Santas, and bring cookies.鈥�
During his childhood performances in The Nutcracker, Mckenzie Bernardino Soares made a point of watching the effervescent Hot Chocolate. 鈥淭he music, the spice鈥擨 just loved it,鈥� he says. 鈥淎nd I remember thinking, dancing this is all I want to do in my life.鈥�
Fast forward to 2021. As a freshly minted NYCB apprentice, Soares landed his dream role and repeated it last year as a member of the corps de ballet. The verdict? 鈥淚t鈥檚 always a fun time on stage, and you get to show your personality,鈥� he says. 鈥淎nd if it gets a little repetitive sometimes, I just think, well, little Mckenzie would have loved to do this.鈥�
Growing up in Danbury, Connecticut, Soares鈥� Nutcracker experience was punctuated by long hours in the family car, driving 65 miles each way to rehearsals and performances. 鈥淏eing on stage made it all worth it,鈥� he says. He also enjoyed supervising the younger dancers backstage during 鈥渢he gap鈥� when SAB students are too old for children鈥檚 parts, and he relished hearing advice from Company members backstage and in the wings.
This season, Soares, who added Mouse King to his Nutcracker repertory last year, looks forward to using the roles he dances to expand his artistry. 鈥淚t鈥檚 actually nice that the choreography is the same every day, so it becomes about what you bring to each performance,鈥� he says.
Rommie Tomasini remembers begging her mother to let her audition for SAB, where her older sister was a student, and quickly discovering a love of dance. At age 7, she was cast as the Bunny in The Nutcracker. A season as a Mouse and a Polichinelle followed, and for two years, she was Marie. When the time came to begin pointe work, she decided that ballet was her future. 鈥淚 didn鈥檛 want to do anything else after school, and I thought, This is a done deal,鈥� she says.
Her earliest Nutcracker memory dates from her first dress rehearsal. 鈥淚 was the Bunny, and I remember looking at all the mouse heads on the Mouse King鈥檚 crown and being too terrified to pull his tail,鈥� she recalls.
Yet looking back, Tomasini, who grew up on the Upper East Side, marvels at how confident she felt on stage as a child. 鈥淚 was never nervous. I was just so happy to be out there. I鈥檓 amazed at how much we learned about acting and artistry so young.鈥�
Dolls, Snow, Hot Chocolate, and Tea are among the Nutcracker parts Tomasini has performed since she became an apprentice in 2021. But her recollections of being in a swarm of Nutcracker kids, scrutinizing the steps and making up versions of Hot Chocolate, Marzipan, and Coffee, remain vivid. 鈥淚t鈥檚 mind-blowing that we鈥檙e now dancing the roles that we once pretended to do backstage,鈥� she says.
Terry Trucco writes frequently about the arts and travel.
