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PHOTO EXCLUSIVE: Behind the Scenes at the World Premiere Musical Secondhand Lions With Kevin Earley

First thing you do when you get your costumes on in your dressing room is send a selfie to your spouse. (That lumberjack hat in the bottom right only made it on stage for 10 seconds, then was cut.) — PHOTO EXCLUSIVE: Behind the Scenes at the World Premiere Musical Secondhand Lions With Kevin Earley

Seattle's 5th Avenue Theatre presents the world-premiere staging of Secondhand Lions, the new musical by Michael Weiner, Alan Zachary and Tony Award winner Rupert Holmes. Cast member Kevin Earley documented the rehearsal process and extended preview period.
24 PHOTOS

It's an exciting day when a box of new programs for your brand new musical gets dropped off back stage. Every cast member grabs one and fumbles through looking at other’s bios and their own. This is also another reminder that an audience is coming...

Kevin Earley

Arriving in Seattle! Me (Kevin Earley) and Johnny Rabe being picked up at the airport a day before rehearsals start. I’ve been a part of the show, doing workshops, readings and recordings, for 6 years of its development. This will be Johnny's first day — Arriving in Seattle! Me (Kevin Earley) and Johnny Rabe being picked up at the airport a day before rehearsals start. I’ve been a part of the show, doing workshops, readings and recordings, for 6 years of its development. This will be Johnny's first day.

Kevin Earley

The entire cast and artistic staff sit down for one last "Table Read-through" with music before starting to put <i>Secondhand Lions</i> on its feet. — The entire cast and artistic staff sit down for one last "Table Read-through" with music before starting to put Secondhand Lions on its feet.

Kevin Earley

Here we all are in the rehearsal hall, putting "Sand,” one of the large production numbers in the show, up on its feet for the first time. Jason Danieley (seen from behind in the turban) prepares for his "up center" entrance. — Here we all are in the rehearsal hall, putting "Sand,�� one of the large production numbers in the show, up on its feet for the first time. Jason Danieley (seen from behind in the turban) prepares for his "up center" entrance.

Kevin Earley

Fight choreography in the rehearsal hall. Mark Jacoby (in purple) and Eric Esteb (the blur) battle it out in the "shadow fight” – old man vs. ninja. Fun stage magic allows us to shatter that chair on the table every night. — Fight choreography in the rehearsal hall. Mark Jacoby (in purple) and Eric Esteb (the blur) battle it out in the "shadow fight�� old man vs. ninja. Fun stage magic allows us to shatter that chair on the table every night.

Kevin Earley

Next Slide

Upper left and Right: Music Director Ian Eisendrath works the amazing Ensemble and Orchestra. Bottom Left: Book writer Rupert Holmes (in the grey shirt to the right) listens to music rehearsal for the uplifting number "Fly Into A Better Tomorrow.” — Upper left and Right: Music Director Ian Eisendrath works the amazing Ensemble and Orchestra. Bottom Left: Book writer Rupert Holmes (in the grey shirt to the right) listens to music rehearsal for the uplifting number "Fly Into A Better Tomorrow.��

Kevin Earley

We’ve moved into tech. Seen here, composer/lyricists Michael Weiner and Alan Zachary watch tech in the theater with Warner Brothers Theater Ventures Producer Mark Kaufman and his lovely family. — We’ve moved into tech. Seen here, composer/lyricists Michael Weiner and Alan Zachary watch tech in the theater with Warner Brothers Theater Ventures Producer Mark Kaufman and his lovely family.

Kevin Earley

Our fearless leaders! Giving direction, making changes and keeping our spirits high are our amazing creative team. — Our fearless leaders! Giving direction, making changes and keeping our spirits high are our amazing creative team.

Kevin Earley

We have a great number called “Alive or Dead” in which the princess and I are traveling the world to flee from the cruel Sultan’s reaches. Naturally, while hiding out in Sicily, we are pursued by the mafia. — We have a great number called “Alive or Dead�� in which the princess and I are traveling the world to flee from the cruel Sultan’s reaches. Naturally, while hiding out in Sicily, we are pursued by the mafia.

Kevin Earley

Jason Danieley as the magnificent Sultan of Oujda, taking one last look back on his way to wreak havoc in the land of Oujda. — Jason Danieley as the magnificent Sultan of Oujda, taking one last look back on his way to wreak havoc in the land of Oujda.

Kevin Earley

First thing you do when you get your costumes on in your dressing room is send a selfie to your spouse. (That lumberjack hat in the bottom right only made it on stage for 10 seconds, then was cut.) — First thing you do when you get your costumes on in your dressing room is send a selfie to your spouse. (That lumberjack hat in the bottom right only made it on stage for 10 seconds, then was cut.)

Kevin Earley

Having fun while waiting in the wings… Jenifer Foote and Harris Milgrim backstage have borrowed Gregg Edelman’s prop – an instruction manual on planting and farming corn. — Having fun while waiting in the wings�� Jenifer Foote and Harris Milgrim backstage have borrowed Gregg Edelman’s prop �� an instruction manual on planting and farming corn.

Kevin Earley

A family portrait from the finale! Me (Kevin Earley), Johnny Rabe and Jenny Powers, one happy family at the end of the show. Oh, the late 70's had such a fashion for glasses and hair. — A family portrait from the finale! Me (Kevin Earley), Johnny Rabe and Jenny Powers, one happy family at the end of the show. Oh, the late 70's had such a fashion for glasses and hair.

Kevin Earley

Always and exciting day in any musical, the Sitzprobe in which the cast gets to hear and sing with the orchestra for the first time. The cast, writers, artistic staff and producers all come for this electrifying moment in a new musical. — Always and exciting day in any musical, the Sitzprobe in which the cast gets to hear and sing with the orchestra for the first time. The cast, writers, artistic staff and producers all come for this electrifying moment in a new musical.

Kevin Earley

The cast gathers before our first preview audience to get a pep talk from our director Scott Schwartz. Excitement, nerves and anticipation run through everyone. All at different paces. — The cast gathers before our first preview audience to get a pep talk from our director Scott Schwartz. Excitement, nerves and anticipation run through everyone. All at different paces.

Kevin Earley

More excitement for our first preview, with maybe a little skepticism form Harris Milgrim (just behind me). I'm kidding, he's just nervous. — More excitement for our first preview, with maybe a little skepticism form Harris Milgrim (just behind me). I'm kidding, he's just nervous.

Kevin Earley

Nick Gaswirth, Harris Milgrim, Jared Michael Brown, Nick DeSantis, Matthew Posner, and Deon Ridley. As we make changes during previews, The Wild Lion Boys are seen here in rehearsal working on their opening number. — Nick Gaswirth, Harris Milgrim, Jared Michael Brown, Nick DeSantis, Matthew Posner, and Deon Ridley. As we make changes during previews, The Wild Lion Boys are seen here in rehearsal working on their opening number.

Kevin Earley

Broadway veteran Gregg Edelman sits on side of the stage, with his cowboy hat by his side. Gregg, who plays Garth, is always cool as a cucumber. — Broadway veteran Gregg Edelman sits on side of the stage, with his cowboy hat by his side. Gregg, who plays Garth, is always cool as a cucumber.

Kevin Earley

Fight call! Broadway veteran Mark Jacoby’s character, Hub, is more of an action oriented character. As Nick Gaswirth pulls a knife on Mark, he contemplates his next exciting move. — Fight call! Broadway veteran Mark Jacoby’s character, Hub, is more of an action oriented character. As Nick Gaswirth pulls a knife on Mark, he contemplates his next exciting move.

Kevin Earley

Johnny Rabe tries to stay warm on stage during rehearsal with his Drury Lane Theater zip-up. Such a theater kid, we love him. — Johnny Rabe tries to stay warm on stage during rehearsal with his Drury Lane Theater zip-up. Such a theater kid, we love him.

Kevin Earley

So when you are doing a new musical, we do preview performances at night and then come back and rehearse during the day. With this show, we have THREE WEEKS of this. Seen here, Jason Danieley going a little coo coo during rehearsal. — So when you are doing a new musical, we do preview performances at night and then come back and rehearse during the day. With this show, we have THREE WEEKS of this. Seen here, Jason Danieley going a little coo coo during rehearsal.

Kevin Earley

Before the preview that same night, Gregg Edelman going over changes to the script on stage. In 3 weeks of previews this is a daily occurrence. It’s hard to keep track of all the changes for each night. — Before the preview that same night, Gregg Edelman going over changes to the script on stage. In 3 weeks of previews this is a daily occurrence. It’s hard to keep track of all the changes for each night.

Kevin Earley

Nothing happens without an amazing crew. The show has over 120 wig/facial pieces, over 100 costumes, 33 microphones, a barn, a front porch, corn, a gas station, over 30 swords, daggers and spears, two boats, two record players, a sand castle and a sheep. — Nothing happens without an amazing crew. The show has over 120 wig/facial pieces, over 100 costumes, 33 microphones, a barn, a front porch, corn, a gas station, over 30 swords, daggers and spears, two boats, two record players, a sand castle and a sheep.

Kevin Earley

I, Jenny Powers and Jason Danieley have been part of <i>Secondhand Lions</i> for over 6 years. Involved in readings, workshops and recording of this New Musical Adventure. This is truly a dream come true for us. — I, Jenny Powers and Jason Danieley have been part of Secondhand Lions for over 6 years. Involved in readings, workshops and recording of this New Musical Adventure. This is truly a dream come true for us.

Kevin Earley

First thing you do when you get your costumes on in your dressing room is send a selfie to your spouse. (That lumberjack hat in the bottom right only made it on stage for 10 seconds, then was cut.)

Arriving in Seattle! Me (Kevin Earley) and Johnny Rabe being picked up at the airport a day before rehearsals start. I’ve been a part of the show, doing workshops, readings and recordings, for 6 years of its development. This will be Johnny's first day

The entire cast and artistic staff sit down for one last "Table Read-through" with music before starting to put <i>Secondhand Lions</i> on its feet.

Here we all are in the rehearsal hall, putting "Sand,” one of the large production numbers in the show, up on its feet for the first time. Jason Danieley (seen from behind in the turban) prepares for his "up center" entrance.

Fight choreography in the rehearsal hall. Mark Jacoby (in purple) and Eric Esteb (the blur) battle it out in the "shadow fight” – old man vs. ninja. Fun stage magic allows us to shatter that chair on the table every night.

Upper left and Right: Music Director Ian Eisendrath works the amazing Ensemble and Orchestra. Bottom Left: Book writer Rupert Holmes (in the grey shirt to the right) listens to music rehearsal for the uplifting number "Fly Into A Better Tomorrow.”

We’ve moved into tech. Seen here, composer/lyricists Michael Weiner and Alan Zachary watch tech in the theater with Warner Brothers Theater Ventures Producer Mark Kaufman and his lovely family.

Our fearless leaders! Giving direction, making changes and keeping our spirits high are our amazing creative team.

We have a great number called “Alive or Dead” in which the princess and I are traveling the world to flee from the cruel Sultan’s reaches. Naturally, while hiding out in Sicily, we are pursued by the mafia.

Jason Danieley as the magnificent Sultan of Oujda, taking one last look back on his way to wreak havoc in the land of Oujda.

First thing you do when you get your costumes on in your dressing room is send a selfie to your spouse. (That lumberjack hat in the bottom right only made it on stage for 10 seconds, then was cut.)

Having fun while waiting in the wings… Jenifer Foote and Harris Milgrim backstage have borrowed Gregg Edelman’s prop – an instruction manual on planting and farming corn.

A family portrait from the finale! Me (Kevin Earley), Johnny Rabe and Jenny Powers, one happy family at the end of the show. Oh, the late 70's had such a fashion for glasses and hair.

Always and exciting day in any musical, the Sitzprobe in which the cast gets to hear and sing with the orchestra for the first time. The cast, writers, artistic staff and producers all come for this electrifying moment in a new musical.

The cast gathers before our first preview audience to get a pep talk from our director Scott Schwartz. Excitement, nerves and anticipation run through everyone. All at different paces.

More excitement for our first preview, with maybe a little skepticism form Harris Milgrim (just behind me). I'm kidding, he's just nervous.

Nick Gaswirth, Harris Milgrim, Jared Michael Brown, Nick DeSantis, Matthew Posner, and Deon Ridley. As we make changes during previews, The Wild Lion Boys are seen here in rehearsal working on their opening number.

Broadway veteran Gregg Edelman sits on side of the stage, with his cowboy hat by his side. Gregg, who plays Garth, is always cool as a cucumber.

Fight call! Broadway veteran Mark Jacoby’s character, Hub, is more of an action oriented character. As Nick Gaswirth pulls a knife on Mark, he contemplates his next exciting move.

Johnny Rabe tries to stay warm on stage during rehearsal with his Drury Lane Theater zip-up. Such a theater kid, we love him.

So when you are doing a new musical, we do preview performances at night and then come back and rehearse during the day. With this show, we have THREE WEEKS of this. Seen here, Jason Danieley going a little coo coo during rehearsal.

Before the preview that same night, Gregg Edelman going over changes to the script on stage. In 3 weeks of previews this is a daily occurrence. It’s hard to keep track of all the changes for each night.

Nothing happens without an amazing crew. The show has over 120 wig/facial pieces, over 100 costumes, 33 microphones, a barn, a front porch, corn, a gas station, over 30 swords, daggers and spears, two boats, two record players, a sand castle and a sheep.

I, Jenny Powers and Jason Danieley have been part of <i>Secondhand Lions</i> for over 6 years. Involved in readings, workshops and recording of this New Musical Adventure. This is truly a dream come true for us.

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