Kara Young is back on Broadway this season in the first Broadway revival of Ossie Davis' Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch. She plays the scene-stealing Lutiebelle Gussie Mae Jenkins opposite the Purlie Victorious Judson of Tony winner Leslie Odom, Jr.
In her two previous Broadway outings鈥�Lynn Nottage鈥檚 Clyde's, which marked the actor's Main Stem debut, and Martyna Majok's Pulitzer Prize-winning Cost of Living鈥擸oung received Tony and Drama Desk Award nominations for both performances. And, she may just add another Tony nomination鈥攊f not the award itself鈥攆or her current work at the Music Box Theatre in Purlie Victorious (which was recently extended through February 4, 2024)
Young's many other accolades include an Obie, an Audelco, the inaugural Florence Mills Rising Star Award from Black Women on Broadway, and a Theatre World Award. On screen, she has been seen in The Staircase, Chemical Hearts, Random Acts of Flyness, and The Punisher. The actor will next appear as a series regular in Amazon's I'm a Virgo.
In the brief interview below for the 半岛体育 series How Did I Get Here鈥攕potlighting not only actors, but directors, designers, musicians, and others who work on and off the stage to create the magic that is live theatre鈥擸oung discusses how she pays tribute to Ruby Dee and her advice for dealing with disappointment.

Where did you train/study?
Kara Young: New York Conservatory for Dramatic Arts, Labyrinth Theater Company, all over New York, and still studying.
Was there a teacher who was particularly impactful/helpful? What made this instructor stand out?
John
Tyrrell is an amazing teacher. He did not bullshit us, always told the
truth, gave us so many tools to exist outside of school.
READ: Leslie Odom, Jr. and Kara Young Continue the Story for Ossie Davis and Ruby Dee
What are the challenges/rewards of this role?
There
are so many beautiful challenges and so many magical rewards, one of
them getting to work with this amazing cast. I鈥檓 still in performances
and might have a better answer for you on February 4.

You wore a dress to the Purlie red carpet with Ruby Dee鈥檚 face on it. How did that come about?
My Aunt Martha Jenkins is a seamstress/designer, and we have been
collaborating forever. It was important for me to recognize Ruby Dee [who created Young's role in the original Broadway production of Purlie] as the icon that she is.
You made your Broadway debut in Clyde's. What do you remember about your first night on Broadway?
It
was like any other night at the theatre! You get to be a storyteller, and people listen. This time, more access, the possibilities of more
ears and eyes. I do remember pinching myself because of the giants that I
had the honor of working with, including the late Ron Cephas Jones.
What do you consider your big break?
Every opportunity to act and tell a meaningful, important story.

How did you get your first job in the theatre?
I truly don鈥檛 remember but feel like I鈥檓 always starting out in the
theatre, even if you鈥檝e performed in the same theatre before. It always
feels like a first. We create new communities fast, new families fast,
and then before you know, we鈥檝e ended. I know I didn鈥檛 technically answer
the question, but it鈥檚 all relative what was the 鈥渇irst.鈥�
Tell me about a job/opportunity you really wanted but didn鈥檛 get. How did you get over that disappointment?
There
are so many jobs I didn鈥檛 get, probably more I didn鈥檛 get than I did
get鈥� You have to move on fast, you got 5-10 minutes to feel anything, and
then keep it moving. It wasn鈥檛 for you. Period.

Is there a person or people you most respect in your field and why?
The elders of our community. The actors who are still doing this thing鈥擨 respect anyone who sticks this out and continues.
What advice would you give your younger self or anyone starting out?
Keep your sword sharpened and ready for battle.
We鈥檙e not told much about Lutiebelle Gussie Mae and how she met Purlie. Do you have a backstory for her?
I do.