Stage to PageChecking In With鈥� Pretty Woman and Kinky Boots Star Kyle Taylor Parker"I think a big message in our telling of this story is that everyone deserves a shot at their dream."
By
Andrew Gans
December 24, 2021
Kyle Taylor Parker
This week 半岛体育 catches up with Kyle Taylor Parker, who plays HappyMan in the national tour of the musical Pretty Woman, based on the hit film of the same name. The actor made his Broadway debut in the Tony-winning Kinky Boots and played the role of Lola both on tour and on the Main Stem. Parker has also been seen on Broadway in Charlie and the Chocolate Factory, and his other theatrical credits include Smokey Joe鈥檚 Caf茅 and Finian鈥檚 Rainbow as well as the NBC live broadcast of Jesus Christ Superstar. His solo albums include two volumes of Broadway Soul.
Kyle Taylor Parker in Pretty Woman: The TourMatthew Murphy for MurphyMade
What is your typical day like now? The show is really high energy, so I usually spend the day resting. If I have the energy, I鈥檒l visit art museums or take walks to check out the local art murals and keep inspired creatively.
Can you describe how it felt to be back in a rehearsal room on the first day you and the cast and creators of Pretty Woman assembled? I don鈥檛 know that I鈥檝e ever been in a rehearsal room filled with more joy and gratitude. We all realized how special it was to be doing what we love again. In turn, the rehearsal process was one of the most creatively fulfilling processes I鈥檝e ever had. I think that has a lot to do with the time off.
Are there any parts of your role or the musical that seem particularly poignant/relevant following the events of the past 18 months? I think a big message in our telling of this story is that everyone deserves a shot at their dream. Every person is worthy of kindness, compassion, and love. As the Happy Man, I play a range of characters, everything from a street peddler to a conductor at the Metropolitan Opera. I think the big take away is don鈥檛 judge a book by its cover鈥攑eople can be anything they put their mind to.
Kyle Taylor Parker in Kinky BootsPhoto by Matthew Murphy
During this time of reflection and re-education regarding BIPOC artists and artistry, particularly in the theatre, what do you want people (those in power, fellow artists, audiences) to be aware of? What do you want them to consider further? I think there鈥檚 a lot to consider. The humanity of the artists telling the stories, what we bring to creative processes, our individual experiences, and how emotionally safe the rehearsal rooms are for collaboration and sharing.
What, if anything, did you learn about yourself during the past year-and-a-half that you didn't already know? I learned how much is actually possible when you work together and put your mind to it. I made my second album, Broadway Soul, Vol. 2, last year via remote collaboration. The band recorded from home studios, and I recorded from my closet in Harlem. My producers and I planned the album over Zoom and a lot of phone calls. The collaboration got me through the height of the pandemic.
What organization would you recommend people learn more about or donate to during this time of change? .
