The new musical Midnight in the Garden of Good and Evil鈥攂ased on John Berendt鈥檚 1994 novel鈥攚ill make its world premiere next summer at Chicago's Goodman Theatre.
With a book by MacArthur 鈥淕enius鈥� Grantee Taylor Mac and music and lyrics by Tony winner Jason Robert Brown, performances are scheduled for June 25-August 4, 2024, in the Albert Theatre.
Tony winner Rob Ashford will direct the production with choreography by Tanya Birl and sets by Christopher Oram. Casting will be announced at a later date.
The novel, a New York Times best seller, tracks an antiques dealer through four trials for murdering a male prostitute in Savannah, Georgia. The story is modeled on the real-life shooting of Daniel Lewis
Hansford. The work won the 1995 Boeke Prize and was a finalist for the 1995 Pulitzer Prize for non-fiction. A film adaptation was released in 1997 starring John Cusack and Kevin Spacey.
Director Ashford says, 鈥淚 am a huge fan of John Berendt鈥檚 terrific book鈥攁nd of its star, the beautiful city of Savannah! When asked if I鈥檇 be interested in helping tell that story on stage, I pinched myself and then said 鈥榓bsolutely!鈥� I can鈥檛 imagine anyone bringing these unique and wonderful characters to life in words and music better than Taylor Mac and Jason Robert Brown.鈥�
鈥�Midnight in the Garden of Good and Evil was a seminal book for me as a young queer person, coming out in the late 1980s and early 90s,鈥� adds Mac. 鈥淭he eccentricities of Savannah, and how they were celebrated by such a large readership, seemed to say, the things that made me odd and an outcast in the world were actually things I should cherish. Likewise, musical theatre has always had a similar effect on me. Singing our thoughts is such an eccentric way of expressing ourselves鈥攜et so perfectly aligned with my personal liberation and joy. So turning Midnight into a musical, and with such master craftspeople as Jason, Rob, and Tanya is essentially an extension of celebrating the joy and liberation from exposing what鈥檚 hidden.鈥�
鈥淲hen I am deciding to start a new show, the two most important questions I ask myself are: 1) Does it sing? and 2) Do I get to work with fun people? With Midnight in the Garden of Good and Evil, I knew the answers to both questions immediately,鈥� states Brown. 鈥淭he book's milieu, so rich with mystery and romance and history, sings with every sentence, deeply passionate, slyly comic, emotions threatening to boil over on every page. And to work with Rob Ashford, whose transformative production of Parade at the Donmar Warehouse in 2007 reinvigorated not only the show鈥檚 reputation but my creative process, was a no-brainer. But then add to that the brilliant, joyful, radically inclusive mind of Taylor Mac, and there was no way I could resist. Creating this world with these mad geniuses is, in true Savannah tradition, a grand and great party. I can鈥檛 wait for the world to join in.鈥�
A recent reading of the new musical featured J. Harrison Ghee, Steven Pasquale, Amber Gray, and more.
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