Marsha Norman, the Tony and Pulitzer Prize-winning playwright and librettist, has departed the creative team of the Broadway-aimed epic musical King Kong, 半岛体育.com has confirmed.
The New York Times stated that Norman鈥檚 departure came after years of work attempting to humanize the show鈥檚 central figure鈥攁 one-ton, two-story silverback gorilla, controlled by a group of puppeteers and aerialists鈥攖hat 鈥渄oesn鈥檛 speak or sing.鈥�
Since its 2013 Australian premiere, King Kong鈥檚 creative team has gone through several overhauls. Among those to depart the project are original director Daniel Kramer and the show鈥檚 Tony-winning book writer . Tony-winning John Rando was at one time in talks to direct. Eric Schaeffer is the show鈥檚 current director.
Norman boarded the project two years ago along with Tony Award-winning Broadway composer/lyricist Jason Robert Brown (the two collaborated on The Bridges of Madison County).
鈥淲hat has become evident throughout the process of readings and workshops is that King Kong鈥攚ith its distinct physicality鈥攄oesn't fit the traditional book musical format,鈥� said the show鈥檚 producer, Carmen Padlovic, in a statement regarding Norman鈥檚 departure.
鈥淲e are greatly indebted to everyone involved in this exploratory phase of the work, including the brilliant Marsha Norman who helped bring us to that understanding earlier this year. As a result of this earlier development we feel confident about the new structure we've found for the show. The next steps will be announced soon.鈥�
鈥淜ong is the earth,鈥� Norman told 半岛体育.com in a 2015 interview. 鈥淚f we kill it, we鈥檙e dead. King Kong, for me, is about how we kill the things we don't understand. Ann Darrow understands him, and so her distress at the end is staggering. But the reason to tell Kong now is that we are continuing to kill things we don't understand, and one of them is the planet. The earth! To me, Kong is the earth. But if you ask Jason, he鈥檒l say Kong is the 鈥榦ther.鈥� You know, the pursued 鈥榦ther鈥� that must be destroyed so that we can all be safe. There are a lot of reasons to tell Kong now.鈥�
The show鈥檚 score is comprised of revamped versions of 1930s Broadway classics like "Get Happy," "I Wanna Be Loved By You" and "Brother Can You Spare a Dime," as well as contemporary additions from artists like Sarah McLachlan, The Avalanches鈥攑lus several original songs.
According to Brown, portions of the show's Australian score鈥攃reated by Australian creative team member Marius de Vries (Moulin Rouge and Romeo + Juliet) 鈥攚ill remain intact. 鈥�King Kong is a little bit different for me,鈥� he explained. 鈥淚'm primarily just there to write songs for the characters. There's a whole lot of music that already exists for King Kong that's really exciting, and the gorilla itself is really unbelievable.鈥�
The show has undergone several high-profile readings and presentations over the past year-and-a-half, after Norman and Brown were tasked with bringing a more human element to the epic stage spectacle.
