Form Theatricals
New York, NY
06/02/2025
Boston Playwrights' Theatre
Boston, MA
06/02/2025
Village Theatre
Issaquah, WA
06/02/2025
Arvada Center for the Arts and Humanities
Arvada, CO
05/30/2025
Form Theatricals
New York, NY
06/02/2025
Administrative
Form Theatricals is seeking an experienced and highly organized Company Manager for our anticipated Off-Broadway production, House of McQueen. Inspired by the legendary designer Alexander McQueen, the show will offer an immersive theatrical experience blending fashion and storytelling. More details about the production can be found here: .
Position Overview: The Company Manager will be integral to ensuring the seamless operation of House of McQueen, acting as the central hub for logistical, administrative, and financial coordination.
Key Responsibilities:
Cast and Crew Coordination: Serve as the primary contact for cast and crew, managing all scheduling, payroll, housing, transportation, and logistical arrangements.
Payroll Management: Submit payroll to CFO for processing, distribute weekly paychecks, and ensure timely and correct compensation for all personnel.
Budget and Financial Oversight: Manage company management assigned budgets and petty cash, maintain detailed expense reports, and provide regular financial updates to General Management.
Personnel Onboarding: Facilitate comprehensive onboarding of cast and crew, ensuring completion of union documentation (AEA, SDC, USA), tax paperwork, and HR compliance.
Daily Reporting: Coordinate, prepare, and distribute box office reports, incident reports, and essential updates to Producers and General Management.
Production Support: Provide logistical support throughout rehearsals, technical rehearsals, previews, opening night, and ongoing performances.
Problem-Solving and Crisis Management: Act as a composed, efficient, and proactive problem solver, promptly addressing and resolving company issues and emergencies.
Union Compliance: Ensure full adherence to all union agreements, especially Actors' Equity Association (AEA), and maintain proactive and positive communication with union representatives.
Special Event Coordination: Organize and manage special events, including company meetings, audience talkbacks, press events, and opening night festivities.
Front of House Management: Oversee Front of House staff, ensuring smooth audience experiences and effective operation of house management and box office functions.
Ideal Candidate:
Demonstrated experience in theater management, preferably in Off-Broadway or Broadway productions.
Exceptional organizational, communication, and interpersonal skills.
Ability to multitask effectively under pressure and resolve issues proactively.
Familiarity with union regulations (AEA, SDC, USA) and payroll procedures.
Professional demeanor, discretion, and ability to handle sensitive situations tactfully.
Boston Playwrights' Theatre
Boston, MA
06/02/2025
Technical
Notice: Stage Manager
CONTRACT
NEAT
$666 weekly minimum (Cat. 5) - Stage manager
$632 weekly minimum (Cat. 5) - Assistant stage manager
SEEKING
All Equity stage managerial positions for Boston Playwrights Theatre's 2025-26 Season have been filled.
Please submit for future consideration.
Boston Playwrights鈥� Theatre at Boston University is an Equal Opportunity Employer.
SUBMISSION INSTRUCTIONS
Please submit your resume for future consideration to Darren Evans, Managing Director.
Deadline: 06/23/2025
SUBMIT TO
,
PERSONNEL
Artistic Director: Megan Sandberg-Zakian
Managing Director: Darren Evans
OTHER DATES
See breakdown for production-specific dates.
OTHER
Equity鈥檚 contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
Boston Playwrights Theatre 2025-26 Season
BPT is an award-winning small professional theatre on the campus of Boston University dedicated to new works for the stage. Read more about us at:
Upholding our space as a home for artists, staff, and audiences is an organizational value for BPT. To us, this means that everyone is invited to be fully present here, and everyone deserves to be treated with respect. We expect any person interacting with BPT to comply with our community expectations, including but not limited to:
- Respecting the backgrounds and identities of all people, on and off our stages. This includes age, race, religion, gender identity, and sexual orientation.
- Understanding each individual鈥檚 right to be at the theater and enjoy it in their own way while being mindful of those around them.
- Showing appreciation for the facility and those working within it.
MOTHER MARY
by KJ Moran Velz
Directed by Elaine Vaan Hogue
Rehearsals 9/9/25 - 10/8/25
Previews 10/9/25 - 10/10/25
Performances 10/11/25 - 10/26/25
SYNOPSIS: Boston, 1968. Taxi driver Jo Cruz knows the streets of Southie like the back of her hand, but no road map can prepare her for meeting Mary O鈥橲ullivan, a Catholic school teacher with a boyfriend and a very strict mother. Despite rising tensions between their Puerto Rican and Irish communities, Jo and Mary find themselves in an unexpectedly close friendship...or is it something more? But their growing connection takes a turn when Mary asks Jo to take her on a risky road trip from which there鈥檚 no going back. A new romcom about choice, faith, and how to find your way home.
ZABEL IN EXILE
by R. N. Sandberg
Directed by Megan Sandberg-Zakian
Rehearsals 1/20/26 - 2/18/26
Previews 2/19/26 - 2/20/26
Performances 2/21/26 - 3/8/26
SYNOPSIS: Yerevan, 1937. Armenian writer and activist Zabel Yesayan sits in a Soviet prison cell, awaiting execution. But what exactly is her crime? Writing novels? Knowing how to speak French? Being a woman? As Zabel confronts her captors, past and present blur, and she reckons with the injustices she has witnessed and confronted 鈥� from schoolyard bullying to the horrors of genocide. Zabel in Exile is a searing memory play that honors the strength of a woman unafraid to stand up to tyranny and wrestles with whether it is possible to continue to believe in light during times of endless darkness.
Village Theatre
Issaquah, WA
06/02/2025
Performer
Notice: Audition Call Type: EPA
AUDITION DATE
Monday, June 16, 2025
10:00 AM - 6:00 PM (P)
AND
Tuesday, June 17, 2025
10:00 AM - 6:00 PM (P)
Lunch 2:00-3:00 pm
APPOINTMENTS
USE THIS LINK:
CONTRACT
Special Agreement
$839 weekly minimum
SEEKING
Equity actors, singers, and dancers for roles in GREASE (see breakdown).
PREPARATION
Please prepare a short cut of an audition song in the style of the show. Around a verse and chorus. This can be musical theatre or 1950s style pop/rock. Accompanist will be provided. Please bring the following (which will not be returned): Audition book (If you have one); Headshot/resume.
LOCATION
Theatre Puget Sound
305 Harrison St
Seattle, WA 98109
Seattle Armory - 4th floor
PERSONNEL
Associate Artistic Director: Brandon Ivie
Casting/Producing Associate: Arika Matoba
Director: Lisa Shriver
OTHER DATES
First Rehearsal: 2/17/26
Tech: 3/14/26
Opening: 3/27/26
Closing: 5/31/26
Possible Extension Closing: 6/7/26
OTHER
villagetheatre.org
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity鈥檚 contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
SANDY DUMBROWSKI 鈥� Female. Any ethnicity. Sweet, wholesome, naive girl who is a new student at Rydell. Danny鈥檚 love interest. Must be able to convey the roller coaster of innocence, betrayal, love, and confidence during her transformation in the finale. Vocal range: A3-F #5, high belt
DANNY ZUKO 鈥� Male. Any ethnicity. Strong, confident, easy-going leader of the Burger Palace Boys. Sandy鈥檚 love interest. Vocal range: D4-B5
RIZZO 鈥� Female. Any ethnicity. Tough, sarcastic, outspoken leader of the Pink Ladies. Kenickie鈥檚 love interest. Must be able to convey the vulnerability that Rizzo always hides. Vocal range: A3-C5
FRENCHY 鈥� Female. Any ethnicity. Good-natured, a dreamer, and dumb. Member of the Pink Ladies who is heavily interested in how she looks鈥損articularly her hair. Doody鈥檚 love interest. Vocal range: A3鈥揇4
JAN 鈥� Female. Any ethnicity. Loud and a compulsive eater. Member of the Pink Ladies who is pushy with the girls, but shy and quiet with the boys. Roger鈥檚 love interest. Vocal range: A3-C5, belter
MARTY 鈥� Female. Any ethnicity. Tries very hard to seem 鈥渟ophisticated鈥� and keep appearances as the 鈥渂eauty鈥� of the Pink Ladies. But ultimately the same young teenager when she speaks. Interested in Vince Fontaine. Vocal range: C4-C5
KENICKIE - Male. Any ethnicity. Tough, surly, second-in-command of the Burger Palace Boys. Has a crude and off-beat sense of humor. Rizzo鈥檚 love interest. Vocal range: C4鈥揊5
DOODY 鈥� Male. Any ethnicity. Boyish, optimistic, and youngest of the Burger Palace Boys. Worships the other guys. Frenchy鈥檚 love interest. Vocal range: D4-A5
SONNY - Wheeler-dealer, braggart, member of the Burger Palace Boys who thinks he鈥檚 a real lady-killer. Vocal range: G3鈥揂5
ROGER 鈥� Male. Any ethnicity. Mischievous, anything-for-a-laugh, clown of the Burger Palace Boys who enjoys putting others on. Jan鈥檚 love interest. Vocal range: D4-A5
PATTY SIMCOX 鈥� Female. Any ethnicity. Intense, high-energy, catty, all-American cheerleader who is obsessed with Danny. Vocal range: flexible.
EUGENE 鈥� Male. Any ethnicity. The class valedictorian. Pompous, physically awkward, and gullible. Vocal range: flexible.
CHA-CHA 鈥� Female. Any ethnicity. Advanced dancer. Loud-mouth and messy dancer. Prides herself on being 鈥渢he best dancer at St. Bernadette鈥檚.鈥� Vocal range: flexible.
MISS LYNCH - Female. Any ethnicity. Rule-enforcing, and stern English teacher. Vocal range: flexible
JOHNNY CASINO 鈥� Male. Any ethnicity. A 鈥済reaser鈥� at Rydell that fronts a small rock 鈥榥鈥� roll band. Thinks of himself as a real rock 鈥榥鈥� roll idol. Vocal range: G4-E5
TEEN ANGEL 鈥� Any gender. Any ethnicity. Good-looking, Fabian-esque, figment of Frenchy鈥檚 imagination. Would鈥檝e caused girls to lose their minds back in 1958. Vocal range: E4鈥揊5
Arvada Center for the Arts and Humanities
Arvada, CO
05/30/2025
Technical
Theatrical Audio Engineer
Length of Engagement: July 1, 2025 - June 30, 2026
Organizational Summary
The Arvada Center for the Arts & Humanities celebrates and elevates the human condition with engaging arts, humanities, education, and entertainment that expand the cultural landscape for everyone. The Arvada Center strives to create and maintain an inclusive and welcoming environment for all artists, actors, staff, volunteers, and patrons.
Position Summary
Reporting to the Audio Director, this position supports live theatrical, educational, and public events by programming and operating sound systems, mixing performances, and maintaining audio equipment. The role involves both A1 and A2 responsibilities and works closely with the production team to ensure high-quality events.
Responsibilities
Program and operate mixing consoles (Yamaha M7CL, PM10) and manage crew communication systems (Clear-Com) for rehearsals and performances
Live mixing for technical rehearsal and performances of theatrical, musical, concert, and public address events
Prepare and interpret scripts, DCA breakdowns, I/O sheets, stage plots, and other associated paperwork
Prepare, fit, and troubleshoot wireless lavalier microphones
Operate, maintain, and troubleshoot wireless systems, outboard processors, speakers, and amplifiers, and perform repairs as needed
Load in, set up, strike, and load out audio systems for events
Fabricate and wire practical sound effects and appliances for stage use
Other reasonable duties as assigned
Skills and Competencies
Working knowledge of live sound reinforcement and audio engineering standards
Experience mixing musicals with 10 - 40 wireless channels and line-by-line mixing
Proficiency with QLab, MainStage, and Mac-based workflows. Working knowledge of DAW-based recording software is a plus
Skilled in building and repairing XLR and Ethernet cables (e.g. soldering/punch down)
Familiarity with Dante and networked audio systems (Dante certification preferred)
Comfortable working at height, climbing ladders/stairs, and standing or moving for extended periods
Physically able to lift 20+ lbs. regularly and 50+ lbs. occasionally
Ability to work independently, as well as a part of a diverse team
Commitment to work nights, weekends, and long days (tech rehearsal schedules)
Compensation
This is a non-exempt position earning $19.25 - $20.25 per hour for 30-40 hours per week for the duration of the seasonal agreement, in addition to 401k and eligibility for Medical and Vision insurance plans, paid sick time and up to five (5) floating holidays.
The Arvada Center for the Arts and Humanities is dedicated to the principles of equal employment opportunity in any term, condition or privilege of employment. We do not discriminate against applicants or employees based on age, race, sex, color, religion, sexual orientation, gender identity, national origin, genetic information, disability or any other status protected by state or local law. Candidates from traditionally marginalized communities are especially encouraged to apply.
Note: This job description is not intended to be an exhaustive list of all duties, responsibilities, or qualifications associated with the job.
Application Instructions
Send an email with your resume and cover letter as pdf to [email protected] with the job title in the subject line.
*Applications accepted until June 22, 2025.
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