SigSpace to Present Installation Based on Quiara Alegr铆a Hudes and Sean Ortiz鈥檚 Emancipated Stories | 半岛体育

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Off-Broadway News SigSpace to Present Installation Based on Quiara Alegr铆a Hudes and Sean Ortiz鈥檚 Emancipated Stories

Produced in collaboration with The Fortune Society, the installation and pop-up events will be presented in the lobby of The Pershing Square Signature Center.

Quiara Alegr铆a Hudes Joan Marcus

Signature Theatre鈥檚 SigSpace, which brings artistic programming to the Pershing Square Signature Center鈥檚 public spaces, will present an installation from Quiara Alegr铆a Hudes and Sean Ortiz鈥檚 Emancipated Stories project.

Designed by Yazmany Arboleda with Emmanuel Oni and featuring letter-writing sessions and pop-up performances produced in collaboration with The Fortune Society, the visual and experiential project will be offered June 29-July 24 (Tuesdays-Sundays, noon-6 PM). The installation aims to create a bridge to people who have been affected by incarceration.

Emancipated Stories was founded by Hudes and her cousin Ortiz during his decade-long incarceration, after the two realized the power of letter writing as a way of bearing witness and bridging two populations: those inside and those outside. Authors behind bars submit one page of their life story; volunteers respond with handwritten letters.

Free pop-up events will include readings and song interpretations of past letters by Hudes and Sean Ortiz; Sean Carvajal (American Buffalo), Dominic Col贸n (The Electric Company), composer Kenyatta Emmanuel, artist and activist Suave Gonzales (Suave), singer-songwriter Renee Goust, and David Zayas (Dexter); writers and advocates Felix Guzman, Daniel Kelly, and Jamie Maleszka; currently and/or formerly incarcerated authors of letters Matthew Garcia, Sophia Alexandra, Robert E. Rigler, MWP, Larry N Stromberg, Jordan Brown, Frank Ross, James Allen Miller, Fong Lee, Benjamin Hodgdon, and Chad Kawalke.

Pulitzer Prize winner Hudes, whose latest play My Broken Language kicks off Signature鈥檚 2022鈥�2023 season, says, 鈥淭he thing that鈥檚 fun and safe about theatre is that the basic rule of engagement is one of listening. The fundamental contract is: I鈥檓 going to listen, I鈥檓 going to pay attention. Similarly, what we鈥檙e seeking to create is a communal space of sharing and openness. Within this installation and the events we鈥檝e planned, the lines between audience and performer are more porous; it鈥檚 more of a gathering, and there鈥檚 no fourth wall, and we put the original letters in people鈥檚 hands. When you hold someone鈥檚 piece of paper and it鈥檚 handwritten and you feel the grooves鈥攊t鈥檚 like holding someone鈥檚 hand. It鈥檚 an instant connection that鈥檚 part of the liveness of it. Surprising heart doors come open in these moments.鈥�

For additional information .

 
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